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Audio-Vision: Sound on Screen, by Michel Chion
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In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception.
Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film.
- Sales Rank: #93991 in Books
- Published on: 1994-04-15
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .59" w x 5.46" l, .72 pounds
- Binding: Paperback
- 239 pages
Review
"Chion is the leading French cinema scholar to study the sound track. I know of no writer in any language to have published as much in this area, and of such uniformly high quality as he." -- Alan Williams
"Chion is the leading French cinema scholar to study the sound track. I know of no writer in any language to have published as much in this area, and of such uniformly high quality as he." -- Alan Williams
Review
Michel Chion is the leading French cinema scholar to study the sound track...I know of no writer in any language to have published as much in the area, and of such uniformly high quality, as he.
(Alan Williams, Rutgers University) Language Notes
Text: English (translation)
Original Language: French
Most helpful customer reviews
0 of 0 people found the following review helpful.
The book itself was in a brand new good condition. I used it for class
By Marina
The book itself was in a brand new good condition. I used it for class. It's purpose deserves a 5 star rating but I didn't like the book so it's just "okay"
14 of 17 people found the following review helpful.
Outstanding
By Millicent Cooley
This is the best book I have seen so far on theories for sound design. I used it for my graduate design research thesis 4 years ago at Carnegie Mellon, and I am about to require it for my students at UT next week, for a course in sound design. Chion opened up so many new ideas for me on different ways that sound affects us. Like the book itself, the forward by Walter Murch (considered by many to be a hero in film sound design) is inspiring.
1 of 1 people found the following review helpful.
excellent resource
By Rose Burt
Clearly written, with well thought out and insightful topics. A great resource for anyone thinking about, studying, or working with audio for film/video.
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